(also known as Herri de Dinant, Herry de Patinir, and Civetta) (c. 1510 - c. 1555 - 1560) was a Flemish Northern Renaissance and Mannerist landscape painter. He is also defined as a eeMosan landscape painter active during the second third of the 16thcentury (i.e., second generation of landscape painters).ee Very little is positively known about the artist. He is believed to be a certain Herry de Patenir who joined Antwerp's Guild of St. Luke in 1535 as a painter and is also believed to be a court painter for the d'Este Dukes of Ferrara, where he ended his career known as "Il Civetta". He contributed, along with his possible-uncle Joachim Patinir, to a distinct style of Northern Renaissance landscape painting that combined small history or religious scenes into compositions defined by perspective and atmospheric effects. Also, along with a group of Antwerp-based followers of Hieronymus Bosch that included Jan Mandyn, Pieter Huys, and Jan Wellens de Cock, Met de Bles continued the tradition of fantastic imagery into northern Mannerism.   Related Paintings of Herri met de Bles :. | The Seamstress | Portrait of a woman | Statue of Liberty | at the far left of this 15th century | Saint Flavia |
Related Artists:
Meade, Francis
American, Approx. 1807-1870
Hans Weiditz
Mainz 1488-1534 Bern
Alexey Bogolyubov
16 March 1824 - 3 February 1896) was a Russian landscape painter. Bogolyubov was born in the Pomeranian village of Novgorod Gubernia. His father was retired colonel Pyotr Gavriilovich Bogolyubov. Bogolyubov's maternal grandfather was the well-known philosopher and social critic Alexander Radishchev. In 1841, Alexey graduated from military school, serving in the Russian Navy and travelling with the fleet to many countries. In 1849, he started to attend classes of the Saint Petersburg Academy of Arts, where he studied under Maxim Vorobiev. The young painter was greatly influenced by Ivan Ayvazovsky. In 1853, he finished the Academy with a major Gold medal. He retired as a navy officer and was appointed an artist to the Navy headquarters. From 1854 to 1860, he travelled around Europe and worked prolifically. In Rome, he was acquainted with Alexander Ivanov, who convinced Bogolyubov to focus more on drawing. In Desseldorf, Bogolyubov took classes from the painter Andreas Achenbach. In Paris, he admired the artists of the Barbizon School. French painters Camille Corot and Charles François Daubigny were good friends and collaborators with Bogolyubov. Bogolyubov returned to Russia in 1860. He exhibited his works in the Academy and received the title of professor. For some time, he taught in the Academy. In the 1860s, he traveled along the Volga. His paintings lost all traces of Romanticism, replacing that element with staunch realism of the natural. In 1871 he was elected to the Imperial Academy of Arts. Sailing ships, 1860From 1870, he became close to the The Wanderers art movement, participated in all their exhibitions. He became a member of their board. Much older than most of the other members of the movement, he had reservations on their social ideas. In 1873, Bogolyubov left the ? in solidarity with his fellow Itinerants. He even tried to create an alternative Russian Academy of Arts in Rome.